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Ffilm

Chwilio am Gwrs

Chwiliwch am gyrsiau ffilm, teledu, radio, animeiddio, y cyfryngau rhyngweithiol a llun ddelweddau yn y DU yn y cyfeirlyfr BFI/Skillset.








Sound Production

A scene from Stephen Poliakoff's Friends and Crocodiles
Recording all sound on set or on location is the work of the Production Sound Crew which includes Production Sound Mixers, Boom Operators, and Sound Assistants; on bigger films, Sound Trainees may also be employed. Although film is considered a primarily visual medium, much of the storytelling and emotional resonance of a script is conveyed through dialogue.

Ensuring that the dialogue recorded during film shoots is suitably clear is a complex job; most film sets are challenging for the Sound Department as there are often unwanted noises to deal with, or the desired camera shots hamper the placing of microphones.

Although it is sometimes easier to re-record dialogue after the shoot (post-syncing), most actors and Directors prefer to use the sound captured on set or location. Production Sound Crews also record atmosphere (without dialogue) or "wild" tracks on set or on location to assist the Post Production Sound department during the editing process.

Production Sound Department Overview

Recording all sound on set or on location is the work of the Production Sound Crew which includes Production Sound Mixers, Boom Operators, and Sound Assistants.

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Sound Assistant / Trainee

Sound Assistants are the third members of the Production Sound Crew and provide general back up and support to the Production Sound Mixer and the Boom Operator.

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Production Sound Mixer

Production Sound Mixers are responsible for the difficult job of recording sound and dialogue and ensuring that dialogue recorded during filming is suitably clear.

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Boom Operator

Boom Operators are responsible for placing the microphone in the best position, without impeding camera operation, or hampering actors' freedom to perform.

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