Mark Leese, Production Designer
Mark is a Production Designer who has worked on projects including On a Clear Day (dr: Gaby Delall), Magdalene Sisters (dr: Peter Mullan) and Things to do Before You're 30 (dr: Simon Shore) He has also worked as an established theatre director and is currently working as a Skillset Film Advisor.
In your own words, briefly describe your job.
As Production Designer I am responsible for the look and mood of a film. This involves designing sets, props and being in charge of a large team.
How did you get into the industry?
After 5 years at Art College studying Fine Art I started work in theatre as a set painter before doing a Postgraduate Diploma in Electronic Imaging. I then returned to theatre as a Set Designer and continued to be involved in short films and eventually features.
If you had to start again, would you do anything differently?
No.
What training have you found most useful in advancing your career?
Working in theatre for 10 years taught me many different skills and gave me the opportunity to experiment with ideas.
What was the best career decision you ever made?
To participate in many varied projects rather than concentrate on one particular genre.
What was your luckiest break?
Designing 'The Magdalene Sisters' which was my first feature and went on to win many prizes at festivals around the world.
How do you keep up with developments in your field?
By attending cinema screenings, industry network events, cultural events such as theatre and art exhibitions and also being a BAFTA Member.
What advice would you give to someone just starting out?
Not to rush. Take time to become familiar with all types of jobs within your chosen area.
How has the industry changed since you first became involved in it?
There are certainly more people in the industry and consequently, more competition.
What do you see as the three most important qualities required to succeed in the industry?
Be passionate about films. Take your time to move up the career ladder. Network with people as much as you can - you never know where your next job will come from.
In your own words, briefly describe your job.
As Production Designer I am responsible for the look and mood of a film. This involves designing sets, props and being in charge of a large team.
How did you get into the industry?
After 5 years at Art College studying Fine Art I started work in theatre as a set painter before doing a Postgraduate Diploma in Electronic Imaging. I then returned to theatre as a Set Designer and continued to be involved in short films and eventually features.
If you had to start again, would you do anything differently?
No.
What training have you found most useful in advancing your career?
Working in theatre for 10 years taught me many different skills and gave me the opportunity to experiment with ideas.
What was the best career decision you ever made?
To participate in many varied projects rather than concentrate on one particular genre.
What was your luckiest break?
Designing 'The Magdalene Sisters' which was my first feature and went on to win many prizes at festivals around the world.
How do you keep up with developments in your field?
By attending cinema screenings, industry network events, cultural events such as theatre and art exhibitions and also being a BAFTA Member.
What advice would you give to someone just starting out?
Not to rush. Take time to become familiar with all types of jobs within your chosen area.
How has the industry changed since you first became involved in it?
There are certainly more people in the industry and consequently, more competition.
What do you see as the three most important qualities required to succeed in the industry?
Be passionate about films. Take your time to move up the career ladder. Network with people as much as you can - you never know where your next job will come from.
