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Jonathon Morris, Editor

Two boys with hats in a field
Jonathon is an established Editor who works primarily on Ken Loach's films, including Ae Fond Kiss, Sweet Sixteen, The Navigators and My Name is Joe.

In your own words, briefly describe your job.

My job is to edit the film the way I think it works best in direct consultation with the Director.

How did you get into the industry?

I was fortunate in that my brother was working as an assistant editor and I became his trainee in the 1960's.

If you had to start again, would you do anything differently?

I would have liked to have had more experience of other aspects of filmmaking.

What training have you found most useful in advancing your career?

I generally worked with and learned from good people. The best advice I was ever given was: "If you don't know how to do something, then just ask."

What was the best career decision you ever made?

My best career decision was to join ATV (Anglia Television) as a staff assistant editor - taking a pay cut in the process.

What was your luckiest break?

My luckiest break was being given the opportunity to work with Ken Loach.

How do you keep up with developments in your field?

Necessity. I tend to keep up by constantly needing to work and learn from younger people. There are also some really good short courses available to keep up with new technologies.

What advice would you give to someone just starting out?

Persevere. Be willing. Smile a lot. Ask questions.

How has the industry changed since you first became involved in it?

The industry is more fragmented. It's much harder for assistants to find work.

What do you see as the three most important qualities required to succeed in the film industry?

The ability to get on with people. A desire to work hard. Perseverance.

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