Sound Assistant - TV
TV Sound Assistants work closely with TV Sound Supervisors and TV Boom Operators to help record the best quality sound in studios, or on locations.
As excellent studio sound recording is vital to the creative media industries, TV Sound Assistants work closely with TV Sound Supervisors and TV Boom Operators to help record the best quality sound in studios, or on locations.
Jobs in TV sound generally fall into two areas: production sound and post-production sound.
TV Sound Assistants work in production sound, in both staff and freelance roles. Although the hours can be long and irregular, the role can bring considerable personal satisfaction when working as part of a team to create the best possible product. TV Sound Assistants are excellently placed to learn about all aspects of TV sound, and to acquire hands-on experience.
What is the job?
Working under the supervision of the Sound Supervisor, TV Sound Assistants must be able to carry out a variety of tasks, including assembling and maintaining sound recording equipment, setting up communication and public address systems, and positioning microphones.
They may also play in music from tapes, CDs, or computers, or operate sound effects as necessary, under the direction of the Director and Sound Supervisor. They must also ensure that any cables are kept clear of moving equipment, fill in accurate and clear sound report sheets, store materials, report any technical faults they may find, and undertake basic technical maintenance tasks as required.
Sound Assistants should have a good knowledge of the script, as they may be asked to deputise for the Sound Recordist, e.g., in second camera situations, or on some larger productions they may be expected to act as a second Boom Operator (to operate the long boom arm with the microphone attached).
Typical career routes
The most important starting point for a career in Sound is to develop and demonstrate an interest in sound by exploring, experimenting and learning about audio technology and its capabilities, perhaps using the increasingly sophisticated equipment which is available at accessible prices on the high street.
TV Sound Assistants usually start in a trainee role and work their way upwards. On-the-job training or shadowing of more experienced personnel is the best way to learn. Experience of working in theatre or the music industry, or in hospital or community radio provides a useful background for this role. Working with equipment manufacturers or hire companies can also provide valuable experience and training, and is a good way of learning about sound equipment, making industry contacts, and getting a foot in the door.
Essential knowledge and skills
TV Sound Assistants need good communication skills, as well as diplomacy and tact when working with artistes and other members of the crew. As many artistes may be nervous when having microphones fitted, Sound Assistants must be able to put them at their ease. They must also be able to work as part of a team, and to take direction.
Key Skills include:
- excellent hearing and attention to detail;
- some technical knowledge for the operation and maintenance of equipment;
- good communication, interpersonal and team-working skills;
- patience, self-discipline and reliability;
- diplomacy and sensitivity when working with artistes and crew members;
- willingness to work long and irregular hours;
- knowledge of the requirements of the relevant Health & Safety legislation and procedures.
Training and qualifications
There are no formal entry requirements for TV Sound Assistants, but a demonstrable interest in sound is essential. Courses are available throughout the UK, from HND to degree level in Sound Technology, Audio Engineering, Acoustics and Music Recording. Short courses at various training providers are also available, including those run by the National Film & Television School (NFTS), National Short Course Training Programme.
Industry led new entrant training schemes, such as those run by FT2, Cyfle(Wales) and Scottish Screen provide a mixture of attachments and formal training, but competition for places is fierce. Broadcasters also run occasional trainee schemes and Skillset's regional training partners offer a range of new entrant, freelance and attachment training programmes.
Associations such as the Institute of Broadcast Sound offer networking support, exchange of knowledge and experience, and provide a means of keeping up to date with new technology and current issues.
Where to go for more information
Skillset is the Sector Skills Council for the creative media industries. The first sources of information for all jobs in the industry are the National Occupational Standards. Browse Skillset's website for links to our network of training partners, information about training and access to the comprehensive Skillset/BFI course database. Finally, Skillset Careers is the UK's only specialist media careers advice service; for detailed media careers information and advice, visit www.skillset.org/careers.
– The Broadcasting and Entertainment Trade Union BECTU, offers advice about employment terms and rights and useful information on health and safety.
– The Institute of Broadcast Sound - A forum for broadcast audio professionals and an invaluable resource for interchange of ideas.
– The Association of Motion Picture Sound (AMPS) - a membership organisation for UK sound personnel.
– The Association of Professional Recording Services (APRS) (APRS) is the trade association for all aspects of the sound industry; including events, training, health and safety advice, and a helpline.
– BKSTS: The Moving Image Society - a membership organisation which runs events and training courses, and publishes Image Technology.
– The Audio Engineering Society - an US-based professional society devoted to audio technology which has a thriving UK section.
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Sound Assistant - TV
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